The Quarry

Dream Info: February 3, 2009
Realism Intensity: 6 (out of 10)
Content: PG

I stepped into the antechamber of a large stone mansion. Light spilled in from the wide doorway. There were no lights…no electricity of any kind, it appeared. The walls were bare stone, cold and solid.

I signaled my friend to follow me as I opened the next thick wooden door and stepped into the black chamber beyond. Cool light spilled into the room from several tall windows. My eyes quickly adjusted and I could see a large table with ornate chairs. Some large, soft, sitting chairs, a couch, and an enormous fireplace, empty but blackened. My friend closed the door behind us.

I walked around the room lifting objects here and there. There was no dust. My foot steps echoed until, in front of the fireplace, I came upon a thick, coarsely woven rug. High upon the walls were paintings. I stood below the nearest and tried to make out it in the dim light. It was a large oil painting and reminded me of something you would see in a catholic church.

Sudden light appeared in the corner. I jumped back. An old woman stood squinting at us with an oil lamp in her hand, raised slightly above her head.

“Eh, Mario, vieni qui. C’abbiamo dei ladri,” the woman croaked.

A tall skinny man promptly appeared in the hall doorway behind her. He had on an undershirt, worn pants, and sad slippers.

“Bah, Maria, non mi sembrano i ladri. Se non c’e di che, stai zitta e lasciami stare,” the man grumbled. He punctuated his sentence with a waved hand, dismissing us. Maria swatted his shoulder. He pushed her away and trundled back into the dark hall.

I assured the woman we were not thieves. We had no idea this mansion was inhabited and had come exploring.

She walked past me casually and mumbled, “Esploratori, son’ peggiore dei ladri.”

We befriended her and stayed for dinner. She and her husband were quite pleasant. I expressed how shocked I was to have found a structure such as their house in the United States. We don’t build with solid stone often. Maria recounted how their families had immigrated to the US and Mario’s father had started carving this house out of the cliff. It was carved from the living stone. No mortar, no seams; just one piece of stone, a sculpture of a house. They operated a quarry that Mario still ran. Maria’s father had come to the states and found work with Mario’s father. The two had met. The rest was history.

As she and her husband talked, I stared at the beautiful paintings in the flickering lamp light. The night grew late. They invited us to stay over.

The next morning, sitting in the back of Mario’s old pickup truck, my friend and I bounced as we pulled out of the mansion’s rocky driveway. We were headed up the canyon to the side of their house. Jolting back and forth I marveled and the large stone house buried deep with in the shadow of the cliff that surrounded it. Over the decades they had removed an impressive amount of stone. The sheer cliff rose for hundreds of feet. You could clearly see where Mario’s father and his brothers had started chiseling inward. They had removed the raw stone leaving their sculptured house.

The mountains pressed in around us. We drove under a high natural archway of stone. Vines dangled down. There were many strange rock formations. The trees were dense. Here and there we spied cracks and openings in the rocks; possible caves beckoning me to come explore.